drums notes

Posted in Musical Instruments by admin on February 8, 2010 No Comments yet

drums notes

Do you have an interest in music? If yes, this article has secrets that will guide you on how to play drums. Today, there are very Many sites offer drum lessons starting at a favorable price. If you happen to have a passion for playing drums, then your dream could become reality. Many people have shown interest and it remains to see how they find these classes to be useful. Advice to help you pass your beginner drum lessons are covered in depth with this article.

First, identify your dream and live with it. Select the search engine of your choice and look credible websites and music schools that offer online drum lessons. Your school of choice must be submitted to your financial ability and schedule. Choose the plan that best meets your goal.

The second step is to identify your needs. Seek advice from professionals on the best and most recent drum kit. After gathering information on the drum and drumsticks other materials you may need, you can go out and shop for the best. Learning to play the drums is not only a physical process, but also a process mental. You have to prepare enough because you must use your ears properly. You have to sharpen your hearing skills to succeed in school. The difference between hearing and listening is very important. Hearing is the reception of any sound that is transmitted, while listening is accurate perception of what you heard. It teaches the basics and techniques of how to play drums is only part of music theory. In As a student, you must learn to improve and develop your skills through ear training ear.

Online training for beginner drum lessons is good because you go at your own pace. The training of people you are professionals and they allow you to browse all Process according to your schedule. You decide that the time to learn according to your own budget. This makes the process similar to your adventure and you like it quite well. Discipline and patience are the personal qualities of good music student must possess. You will find beginner drum lessons for easy and simple to understand, if you follow the instruction. Do not rely on the ratings given by your teacher, but research and read widely. If you want to refine your technique, you are looking for more styles and genres. This calls for you to thirst for additional knowledge.

Understand how to play drums is an art not a science. You have to do more practice on a daily basis. First, look at other professional Do it, then learn from them, they all started taking drum lessons for beginners as you will too. You can source for DVDs and CDs that have this kind of lessons and play along. Remember that many hands on the work expected of you. Stay motivated and never give up, despite many challenges. Once you understand how to play drums, then you are set for set for a great pleasure.

If your interested in learning how to play the drums please visit this site, which I have found to be the best for Beginner Drum Lessons. It has a wealth of information on how to get started and useful tips on Drum Lessons For Beginners.

Drum Lesson 1/8 notes

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Title: Captain Buffalo Bill. Artist: Unknown. Image Size: 34.11in. x 23.37in. Paper Size: 36.00in. x 24.00in. Finest LAMINATED PrintThe process of creating a laminate is lamination, which in common parlance refers to the placing of something between layers of plastic and applying heat or cold and/or pressure, usually with an adhesive. Proper laminating can prevent fading from sunlight or other b...
Come Away with Me Come Away with Me
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It is not just the timbre of Norah Jones's voice that is mature beyond her 22 years. Her assured phrasing and precise time are more often found in older singers as well. She is instantly recognizable, blending shades of Billie Holiday and Nina Simone without sounding like anyone but herself. Any way you slice it, she is a singer to be reckoned with. Her readings of the Hank Williams classic "Cold ...
Come Away with Me Come Away with Me
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It is not just the timbre of Norah Jones's voice that is mature beyond her 22 years. Her assured phrasing and precise time are more often found in older singers as well. She is instantly recognizable, blending shades of Billie Holiday and Nina Simone without sounding like anyone but herself. Any way you slice it, she is a singer to be reckoned with. Her readings of the Hank Williams classic "Cold ...
Moanin' Moanin'
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This is truly one of the great classics of hard bop, with drummer Art Blakey leading arguably his greatest Jazz Messengers lineup through a driving program that never lets up. Tenor saxophonist Benny Golson (whose composition "Along Came Betty" is heard here, subsequently becoming a jazz classic), brilliant trumpeter Lee Morgan, and funky pianist Bobby Timmons (who wrote the hit title cut) each ta...
Take Note - episode #11 & #12: Evelyn Glennie Take Note - episode #11 & #12: Evelyn Glennie
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episode 11, May 2005: Evelyn sits down with Take Note between rehearsal and performance at Herbst Theater in San Francisco.She discusses acoustics, mallets and traveling. She also shares her perspective on where the music industry is heading and her views on pop music.episode 12: Evelyn is a guest artist at the Cabrillo Festival of Contemporary Music in August 2006. She discusses how important ...
Take Note - episode #8: Marla Leigh Take Note - episode #8: Marla Leigh
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In 2004, Marla talks with Take Note about her career, her education and demonstrates several hand drumming techniques. Performer/composer/educator Marla Leigh specializes in Middle Eastern and Indian Percussion. Growing up in a musical family in Rochester, N.Y, she started her musical journey at young age, learning piano at age 5 and flute at age 8. Almost immediately after entering college ...
Music - Drums - Greeting Cards-12 Greeting Cards with envelopes Music - Drums - Greeting Cards-12 Greeting Cards with envelopes
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Drums Greeting Card is measuring 5.5w x 5.5h. Greeting Cards are sold in sets of 6 or 12. Give these fun cards to your friends and family as gift cards, thank you notes, invitations or for any other occasion. Greeting Cards are blank inside and come with white envelopes....
Music - Drums - Greeting Cards-6 Greeting Cards with envelopes Music - Drums - Greeting Cards-6 Greeting Cards with envelopes
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Drums Greeting Card is measuring 5.5w x 5.5h. Greeting Cards are sold in sets of 6 or 12. Give these fun cards to your friends and family as gift cards, thank you notes, invitations or for any other occasion. Greeting Cards are blank inside and come with white envelopes....

Drums Drums
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Beginner Drums Beginner Drums
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Explains and demonstrates all the essential sounds and techniques used in modern drumming styles. Includes music fundamentals, co-ordination and rhythm studies and making effective use of the whole drum kit. This book contains 10 lessons, including everything from how to sit at the drums through Rock beats, using the crash cymbal, fills using triplets, sixteenth notes, accents, Jazz beats, even playing with a band and working with the guitar, bass & drums. This book will definately get you in the groove! Also including a CD matching the lessons and exercises in the book.
Gretsch Drums Gretsch Drums
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This tribute to Gretsch kits features full-color photos and interviews with sensational players like Louie Bellson, Jimmy Cobb, Chuck Flores, Phil Grant, Jake Hanna, Elvin Jones, Don Lamond, Charlie Persip, Dick Shanahan, and others. Written by Chet Falzerano, a contributor to Modern Drummer, Percussive Notes, and Not So Modern Drummer magazines, plus the books Guide to Vintage Drums and Star Sets.
Notes Notes
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Having a track called "Tinnitus" as your opener could give some people the wrong impression, but A Day in Black and White aren't so much about noise for noise's sake but various sonic experiments for the opener, including some lo-fi guitar rumbles that have been tweaked and altered. The outro, "Sink Brand Cut Waist," is almost identical to the opener, making for a nice series of sonic bookends. The group tears into "New Energy" with a rampant energy that sounds like power punk in the vein of Sum 41 and Jimmy Eat World -- a guitar-heavy structure backed by some over-the-top drumming of Ian Thompson. A melodic alt-rock nugget, "A Literal Title" ensues with lead singer and main songwriter Daniel Morse simultaneously singing yet speaking the lyrics while the bridge goes into trippy '60s-era jamming in the vein of the Who. Yet Morse also sometimes mines the ground previously tread on during the grunge era, especially with the Nirvana characteristics quite apparent during "Lame Duck." The bare-bones rocker "Long-Distance Song Effects" is a head-bobbing nugget that makes enduring the one or two momentarily lulls worth the generally pleasing and airtight nugget. And the same can be said for "Nothing With Nothing," which ups the ante with a garage rock flair in the vein of the Von Bondies or the Hives. Another high-octane romp is "Ronald's Right," which ebbs and flows like an ordinary "emo" anthem prior to a dreary instrumental portion. ~ Jason MacNeil, All Music GuidePerformers: Daniel Morse - Sampling, Vocals; Ed Brant - Guitar; Sean McGuinness - Guitar; Mike Petillo - Bass; Ian Thompson - Drums, Percussion
Xtreme Drums : 1844920194 Xtreme Drums : 1844920194
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If you want to spend more time making music and less time bogged down in mind numbing theory, then this book is for you. The Xtreme series provides a funky and fresh teaching method for beginners through a series of easy-to-follow lessons, exercises, true stories and superstar tips. Whether it be electric guitar, drums, DJing or singing, our team of Xtremists are here to guide you. In Xtreme Drums, resident sticksman Skins guides you through a 10-lesson program that covers everything from setting up your kit and holding the sticks correctly to fine-tuning techniques such as fill-ins, backbeats and grace notes. The included audio-CD profiles 10 of the greatest drummers of all time and easy-to-follow guidelines that will help you to play just like them. Xtreme Drums arms you with all you need to get the most out of your kit in no time.
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Sacred Spirit Drums Sacred Spirit Drums
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Sacred Spirit Drums by brothers David and Steve Gordon is the sequel to their best-selling Sacred Earth Drums. With these two albums, the brothers begin to acknowledge their separate musical contributions (admittedly, they play many of the same instruments, but Steve adds guitars to the mix) and offer extensive liner notes, which in this case offer the story of the rituals of a shaman. Although the brothers play many African drums, the beats for most tracks are either basic Native American (4/4 or 1/1), with just slight embellishments; or, once established, the drum patterns remain a constant and easy groove. Native American flutes and jaunty Incan pan pipes provide the song, while guitar (the Spanish guitar on "Path with a Heart" is lovely), mandolin, electronic instruments, vocals, and nature sounds (birds recorded at Anzo Borrego National State Park) provide expansive musical depth. Sacred Spirit Drums is an intoxicating musical experience, accessible on many levels. The shaman's story is wonderful. ~ Carol Wright, All Music GuidePerformers: Steve Gordon - Multi Instruments, Vocals
Drums (Scribner's Illustrated Classics) Drums (Scribner's Illustrated Classics)
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1925. This is novelist James Boyd's first book. Drums, set in Edenton, North Carolina, has been called the best novel written about the American Revolution. The author notes that in this book the main facts of history have been followed except in two cases: the Bonhomme Richard did not sail from Brest but from Lorient; the incident of the vagabond in Chapter XXXV did not occur at Brooks's Club but at another club in London.
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Brothers David and Steve Gordon came up with a winner when they recorded Sacred Earth Drums, and it quickly became a bestseller in the new age market. This drum-based album marked a departure from the musical styles already offered by the brothers (namely, music and nature sounds and electronic music). The album begins with a lively Native American drum beat, 4/4 pulse (there is more pulsing, phrasing, and embellishment than a traditional Indian beat), rattles, a Native American flute, and bird songs. As the album progresses, the music becomes more elaborate; the flute melodies are more fanciful, warm guitars are added, and more complex rhythms (Latin and African) are added with other drums and percussion instruments. Eventually, other animals, keyboards, and space music effects fill out the sound spectrum. Though the music progresses (even into a light ambient), the beat's cadence remains constant. This is not a "percussion" jam album; no one element will overwhelm the room. The album's carefree spirit is perfect for trance-dancing or as a background energizer. You can't help but jump on board this rhythm wagon. The album liner notes are a story line for a shamanic journey for those who wish to relate to the album in this way. If you like this album, check out their follow-up, Sacred Spirit Drums. ~ Carol Wright, All Music GuidePerformers: David Gordon - Multi Instruments; Steve Gordon - Multi Instruments
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Metallica - ...and Justice for All - Drums Metallica - ...and Justice for All - Drums
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Drum transcriptions to every song from Metallica's blockbuster album, plus complete drum setup diagrams, and background notes on Lars Ulrich's drumming style.
SMT Xtreme Drums Book and CD SMT Xtreme Drums Book and CD
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In Xtreme drums, resident sticksman Skins guides you through a 10-lesson programme that covers everything from setting up your kit and holding the sticks correctly to fine-tuning techniques such as fill-ins, backbeats and grace notes. With a free audio-CD, profiles of 10 of the greatest drummers of all time and easy-to-follow guidelines that will help you to play just like them, Xtreme drums arme you with all you need to be able to get the most out of your kit in no time.
Roots!! African Drums Roots!! African Drums
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An earlier entry in the field of {\world} music on CD, {^Roots!!} from {$the National Percussion Group of Kenya}, led by {$George Menoe}, covers the majority of the Kenyan percussion sound. The liner notes lost a bit in translation and appear to be a bit
The Drums in Our Street The Drums in Our Street
$13.25

Publisher: The Macmillan company Publication date: 1918 Subjects: World War, 1914-1918 Notes: This is an OCR reprint. There may be typos or missing text. There are no illustrations or indexes. When you buy the General Books edition of this book you get free trial access to Million-Books.com where you can select from more than a million books for free. You can also preview the book there.
The Drums and Other Poems The Drums and Other Poems
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Publisher: Robert J. Shores Publication date: 1917 Notes: This is an OCR reprint. There may be typos or missing text. There are no illustrations or indexes. When you buy the General Books edition of this book you get free trial access to Million-Books.com where you can select from more than a million books for free. You can also preview the book there.
Soulful Drums [2001] Soulful Drums [2001]
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One of the latest in the Original Jazz Classics' two-fer series has the greatest of all Jack McDuff's organ groups assembled for two different albums on this CD, both from 1966. This is a partial issue of a number of albums all issued by the same group. Guitarist George Benson, saxophonist Red Holloway, and Joe Dukes all had records issued under their names by Prestige. The first six tracks were issued under the original title Soulful Drums of Joe Dukes, and the last half under McDuff's name and the title Hot Barbeque. It is fitting that these two sessions be reissued together, with gorgeous remastered sound, because they are two of the funkiest, deep groove jazz organ records of all time. The reason is simple, and is evident from the opening cut, the title, that McDuff was an in-the-pocket player. He liked to keep it greasy, full of soul, and walked the line right between jazz and blues. With a front line that included Holloway and Benson and often Alvin "Red" Tyler, he needed a drummer who was more than a timekeeper; he needed someone who could draw attention to the bottom end of the spectrum. Joe Dukes was an under-appreciated jazz and R&B drummer and was just the man for the job. For one thing, time was an element of the propulsion of force. There was no such thing as a 4/4 time in Dukes' world, as revealed in any track you care to select here from "Mookah the D.J." to the Memphis soul-flavored "Moanin' Bench" to the stomp of "The Three Day Thang"; Dukes shifted forced time through his kit by a series of tom-tom rolls and high hat skitters and skeins of cross rhythms that held McDuff in check and let him lead the band. Dukes was the key to the band's deep, funky danceable sound and its architect for players like Benson and Holloway to solo their asses off. His steaming tom-tom roll on "My Three Sons" has Benson saying catch up from the word go, slashing out three-chord runs to keep time. McDuff, relaxed as ever, keeps it all grooving with just enough soul to make it blues and just enough open-ended choral chromaticism to make it jazz. This tune jams its way through four key changes and obliterates both the jump blues it was taken from and the hard bebop stylings its harmonic structure was built upon. Red Tyler's solo here is one of the fastest and deepest blue he ever played. Hot Barbeque is the swampier of the two albums, wider and sweatier on the funk end of the spectrum -- after all, it was 1966 and every cat on Blue Note was trying the same stuff. Holloway carries the McDuff/Dukes shuffle through the roof with his solo and Benson comps with fat chords laid on thick as fried onions. His own solo is less about how many notes but which ones he can bend to make them sit at the bottom of this groove. There is the easy strut of tunes like "The Party's Over," where McDuff indulges his lyrical side and Benson paints him in with lovely augmented sevenths in an ornate blues, but it's more in the sprints like "Briar Patch," driven by Dukes' bass dru
Percussions d'Afrique: African Drums [Import] Percussions d'Afrique: African Drums [Import]
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Expanding and contracting musical forms, richly embroidered polyrhythmic patterns, and highly developed group dynamics characterize the Cameroonian and Senegalese percussion ensembles featured on Percussions d'Afrique: African Drums. Balafons (wooden-key xylophones with gourd-resonator frames), jemb?s (goblet-shaped hand drums), sundry rattles, and a large variety of other percussion instruments are heard on the CD's 11 tracks. From the oscillating and contrapuntal sounds of the drum ensemble featured on the opening track, "Danses S?n?galaises," to the shekere-grounded sounds on the album's last cut, "Danse des Hochets," a plethora of metric, rhythmic, and melodic explorations are heard. Unfortunately, the sketchy liner notes convey neither the identities of the performers nor the specific names of the places where the recordings were made. In addition, an overgeneralized assertion in the liner notes that "Africa's music culture...is dominated by percussion instruments" is a bit too simplistic. Africa is home to many diverse cultures and musical traditions, not all of which are adequately reflected by the sounds of West African percussion music. Though this cursory treatment in the liner notes is shortsighted, it does not affect the vivid and compelling nature of the field recordings presented here. ~ John Vallier
Drums Drums
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At the time Oddjobs settled into recording its first mature full-length, the members of the newly reformulated quintet (with the official addition of longtime colleague Nomi) were still but a few years removed from being teenagers. Nevertheless, they had carried their lunch pails to the daily hip-hop grind for more than half a decade, and Drums proved that they had learned a great deal during the extended gestation phase. Having finally relocated in total to New York, the group nicely split the difference and closed the gap between Minnesota and Brooklyn with the album. The three MCs retained their relaxed Twin Cities flows, and many of the lyrical concerns are tied to their original terrain, yet much of the music has a decidedly blue smoke, basement vibe and is built around a core of deeply percussive urban rhythms. The latter quality no doubt partly derives from the seepage of the sounds and sensations of their adopted home into Deetalx and Anatomy's beats. (The production duo, anyway, had always owed something of a debt to the aesthetics of the golden era Big Apple rap records of the early '90s.) In any event, they crafted an exceptional backdrop of liquid tracks that fluidly fuse live musicianship and nimble sampler experimentation. That skill landed "Blue Collar Holler" on the alternative radio charts, and the single was a hit for good reason. It is a masterpiece of shifting textures and tonalities, and its roll call of working-class livelihoods plays like a funky Midwestern manifesto. From there, Drums brilliantly roams through a broad range of styles, from cunning metaphysical puzzles ("Time Flies") and dark, speculative meditations ("Dry Bones," "Naked City," the magnificent bonus track "Gospel (Encore)") to regatta de blanc ("Shore") and sweaty street-corner odes ("The Backstroke," "Hit Em With a High"). The centerpiece of the record, however, is the three-part aural delirium of "Dream for Molle." With its vistas of somber psychedelia, it is a gorgeous extension of DJ Shadow's astral explorations, and it sends the album out into previously unmapped territory. Drums is one of the freshest, most impressive rap releases of 2002. ~ Stanton Swihart
Roots!! African Drums Roots!! African Drums
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An earlier entry in the field of world music on CD, Roots!! from the National Percussion Group of Kenya, led by George Menoe, covers the majority of the Kenyan percussion sound. The liner notes lost a bit in translation and appear to be a bit behind the times, but the basic gist can be derived, and it is the music that should be the focus anyway. The disc begins with a piece depicting a witch doctor's sacrificial slaughter of an animal. It then moves on to a piece imitating bird and animal calls, and a vocal piece dealing with trees. The final three works are a women's dance, a workday-ending song, and a dance from the "fearless Masai tribe." What is amazing here is not the interlocking nature of hits that is common to so much of African music, but the interaction of the interlocking with the sheer speed of the individual drummers. Between the two aspects, the volleying effect of the group is amplified, generally without overlap and an almost constant tone begins to emerge in some places from the sheer raising frequency of beats. In some ways very mildly reminiscent of the vocals of the Muungano National Choir, and in other ways mildly reminiscent of the various master drummers of West Africa (Mustapha Tettey Addy among them), this album from the National Percussion Group of Kenya should be heard at least once by anyone that regularly deals in the field -- the authenticity of the music can be determined by the listener; the important part is that it's listened to in the first place. ~ Adam Greenberg, All Music Guide
Drums Afar; An International Romance Drums Afar; An International Romance
$33.55

General Books publication date: 2009 Original publication date: 1918 Original Publisher: J. Lane Subjects: World War, 1914-1918 Fiction / Romance / General Fiction / Romance / Contemporary Fiction / Romance / Historical History / Military / World War I Notes: This is a black and white OCR reprint of the original. It has no illustrations and there may be typos or missing text. When you buy the General Books edition of this book you get free trial access to Million-Books.com where you can select from more than a million books for free. Excerpt: CHAPTER IX AS soon as he heard the news, Charles chased after Kelly to congratulate him. The American's rooms were empty but he was found in Tom Quad on his way from the J. C. R. with a box of cigars under his arm. Yes, old man, he said, it's true. I won out after all. At first I thought some other fellow had the inside track, but it was only the fence she put up to keep out the hoboes. You see I don't exactly look like gilt-edged stock, and she could afford to be choosey. She looked like a million dollars to me the first time I saw her -- England certainly is one land for peaches, and Viola is the ultra of the bunch. Lucky? Gee, I should say! When is the fatal day? Not a day too soon. Her mother said December, but I rooted for July. Got to work off the honeymoon before the Fall and get busy earning the rent. Say, Fitz, old man, I'm counting on you to put me wise to all the rules and regulations. I'll do my best, said Charles. Is the ceremony to be in church? The betting points that way. Mother-in-law-to-be put me next to a sky-pilot -- friend of the family -- Socialist guy with large feet who preaches hell in Bedford Park -- quite a lively duck who seems inclined to do the trick. What is he like? Got a black beard? That's him. A good scout from the looks of him. Yes, he is -- I know him. I'll be there, said Charles. When Eights Week came round, Viola arrived with Mrs. Kelly triumphant ch...
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Performers: Dagmar Becker - Flute; Siegfried Fink - Percussion; Xavier Joaquín - Percussion; Eulália Solé - Piano
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BEGINNER DRUMS BK/CD/BONUS DVD BEGINNER DRUMS BK/CD/BONUS DVD
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Explains and demonstrates all the essential sounds and techniques used in modern drumming styles. Includes music fundamentals, co-ordination and rhythm studies and making effective use of the whole drum kit. This book contains 10 lessons, including everything from how to sit at the drums through Rock beats, using the crash cymbal, fills using triplets, sixteenth notes, accents, Jazz beats, even playing with a band and working with the guitar, bass & drums. This book will definately get you in the groove! Also including a CD matching the lessons and exercises in the book.
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Gretsch Drums: The Legacy of That Great Gretsch Sound Gretsch Drums: The Legacy of That Great Gretsch Sound
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This tribute to Gretsch kits features full-color photos and interviews with sensational players like Louie Bellson, Jimmy Cobb, Chuck Flores, Phil Grant, Jake Hanna, Elvin Jones, Don Lamond, Charlie Persip, Dick Shanahan, and others. Written by Chet Falzerano, a contributor to Modern Drummer, Percussive Notes, and Not So Modern Drummer magazines, plus the books Guide to Vintage Drums and Star Sets.
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